We are excited to say that, thanks to the hard work of Richard, one of our volunteers, photographs of Battersea Polytechnic and Battersea College of Technology are now catalogued and the records are available on our online catalogue. The photographs are an interesting mixture of buildings, academic departments and laboratories, and Battersea’s people including staff, […]
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The catalogue of the Geraldine Stephenson archive is complete and can be browsed and searched through our Archives and Special Collections catalogue here. The archive spans from the late 19th century until 2008, and covers the life and career of Geraldine Stephenson (1925-2017), an eminent dancer, movement director and choreographer. Stephenson was trained by renowned […]
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Kelly Burchmore has recently joined the Archives & Special Collections team as Temporary Project Archivist to catalogue the Geraldine Stephenson Archive. This blog describes her progress so far… Born in 1925, Geraldine Stephenson was a student protégé-turned-colleague of Rudolf Laban, and became an eminent choreographer in her own right. Her collection is currently being catalogued […]
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As the National Resource Centre for Dance (NRCD), we collect, preserve and make available materials that represent a wide range of theatrical, educational, and theoretical dance development. Included in our holdings is various material relating to the Russian prima ballerina Anna Pavlova (1881-1931). Items include photographs, ephemera and rare published works on the ballerina. Surprisingly, […]
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On Wednesday 21st November, as part of Explore Your Archive week, we welcomed staff from across the University to our Archives Research Room to look at a display of letters written by Ernest Howard Shepard to his first wife Florence Chaplin Shepard during the First World War, alongside some of his drawings. Members of staff […]
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This month University of Surrey Library has had a guest curator highlighting relevant material from their holdings in celebration of Black History Month. The curator, Joel, also visited Archives & Special Collections, and shares his findings here..
I couldn’t say I had truly curated for the Library if I didn’t stop by the Archives Research Room to learn about our special collections. What I found is how Afro-Caribbean dance has been used to promote their culture to a wider community; it was great to see how passionate these people were. I’m glad that we have these archives as if we didn’t have them, I probably would not have considered looking into black dance. There’s something quite special about physically going through all the leaflets and letters which give us a snapshot of that time – especially a leaflet from University of Surrey in 1996!
The Library’s Guest Curator for Black History Month, Joel, at the entrance to the Archives & Special Collections Research Room
Some publicity material for Bullies Ballerinas Jazz Dance Productions (XZP/573)
Something that caught my eye was the Birmingham dance company, Kokuma. This was one of Britain’s first Afro-Caribbean dance theatre company, active from 1984 to 2000. Education was prioritised more than anything as they worked with more than 150 schools; their aim was to make “African dance more accessible to the wider community at large”. In 1990, Kokuma received the “Black Award for Dance” and the “Prudential Award for Dance”.
In 1985 the company created its first full length work, “The Unwanted Prince”. In 1987 Jackie Guy MBE joined as Artistic Director and incorporated Caribbean dance styles. In 1995, Patrick Acogny (Senegalese heritage, Paris-born) became the new Artistic Director and fused African and contemporary dance styles. The Association of Dance of the African Diaspora (ADAD, founded in 1994) also supported this company.
I was introduced to a recorded video of one of their performances using the VHS player facilities in the Archives Research Room. It started off quite abstract with synchronised dancers draped in white slowly moving with a chorus of clarinets. Soon after, vibrant warm colours enter the stage with more interactions between dancers and a more distinct African feel. Despite me not knowing the dance’s premise, it was intriguing to see where the story could go. It only made me want to watch more – the company’s values and the performance clicked with me, and the nostalgia of the VHS player was also nice!
Joel watching a performance by Kokuma Dance Theatre Company
