The Beatless – Part 1 Remodalisation

TheBeatless

I thought I’d use this platform to share with you some of the great work my students are doing together with some commentary addressing compositional technique. Here’s the first of many to come.

As part of one of my coursework portfolios, I offered my talented and creative students at Surrey the option to rework a Beatles track. Beyond a cover or remix, the brief was to reinterpret and/or electronically deconstruct/reconstruct musical materials from any Beatles track. There was some great work such as Em Bollon’s modal reinterpretation of ‘Here Comes The Sun’

[soundcloud url=”http://soundcloud.com/embollon/here-it-comes-by-em-bollon”]

Remodalisation (invented term) is the technique of translating melodic and/or harmonic material into a parallel mode (set of notes or scale). The original track’s major tonality (with some modal interchange and secondary dominants) is really effectively (and intuitively) reinterpreted into mixolydian and dorian ideas, blended with electronic japery. Quite lovely.